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Alexis Gautier’s work explores the relationships at play in cultural transactions, collaborations and the creation of narratives. Often made with other individuals, his work creates a space for encounters, coincidences, and exchanges.
His exhibition at Jester (formerly FLACC/CIAP) presents new works and on-site interventions created during his working period in Genk. While further developing certain plot threads from his solo-show at M Museum in Leuven, at the turn of 2021 and 2022, Gautier introduces new protagonists, storylines, and plot drifts. In Genk, he came in contact with different two-wheel enthusiasts, from motocrossers to performers of scooter stunts, who have become key characters in this chapter of his work.

In Riding High in the Reading Saddle, Gautier continues to experiment with ways of forfeiting control in order to make room for unexpected connections and collaborations; this time, by taking up the position of a passenger. He uses a motorbike as a vehicle for both literal and narrative transportation, a MacGuffin, tying in different protagonists and plot threads: from local histories of biker communities and the landscape painters’ colony, to broader themes of drift, identity, and belonging. The motorbike functions both as a constraint and an instrument to make drawings with and on. Gautier’s sketch for Richard Tuttle’s installation, realised as part of his show in Leuven, is executed outdoors by a motocrosser, while the artist presents a new series of drawings, made in the saddle of a moving motorbike.